Visual analysis of an artwork Essay Example | Topics and Well Written Essays - 1000 words

Visual analysis of an art spring - Essay ExampleThe appreciations of artifice as a signifi houset and integral part of the society lead to the development of Visual humanistic discipline and Film Studies as a discipline of study by the scholars. In that respect, this paper seeks to give a vivid description of the Georges Seurats A Sunday on La Grande gatte which offers a nice scene. This marvelous tack of art is found in M ingestionum of Modern Art, New York, New York, the United States of America and reflects the wonderful temperament of Art . Seurats balance is care uprighty positioned and proportioned so that the entire shit is interesting to look at. The river to the left is full of yachts and rowing boats, while this balance is matched by the closely placed large figures to the right (Seurat and Hajo 36).In the center of the work is a flurry of activity, which makes the paintings center as appealing to look at as the left and the right. patronage the activity in the fracti on, however, the artists placing of his figures lends a degree of formality and static to his flip-flop.His decision to only depict population facing sideways or straight on makes the entire scene seem very stern and like toy soldiers, which was a criticism leveled against the artist at the time. Seurat utilizes this blending technique through his use of derrieres. In traditional painting, shadows are primarily represented by the color black. Following the principles of pointillism, Seurat is able to specialise his shadows by the color that they come into contact with. The skirts of the women provide the best examples for this. The clothing of the women in the center of the piece seems to be casting a blue shadow on the ground (Seurat and Hajo 37). Seurats shadows here are not being defined by traditional means but are instead a gang of the colors in its proximity. Here the mix of thou provides a blue shadow, which does not follow the conventions of shadow casting. Such a dif ferent approach in the creation of shadows is repeated in the make of the muliebrity on the right. Where the mix of miniature and green casts a yellow halo for the trees the same effect is mimicked here. The womans dress creates a slight yellow line before the onset of the shadow and this yellow hue can be seen particularly towards the back of her skirt. Furthermore, the shadow of her dress is a slight shade of blue as Seurats green grass dots intermingle with the dress blue and purple dots (Seurat and Hajo 39). Seurats use of light is one of the unique points of the piece. The work is vibrantly portrayed and the magnificence of the sun bathes the scenes inhabitants in a celestial mid-afternoon glow. Where the technique of pointillism shows its unique aspect is where the light from the left comes into contact with people and objects in the piece. The blend of such(prenominal) colors is pointillisms primary concern and as its founder Seurats work epitomizes the technique. The tree line at the top of the painting is one example of such a blended effect. The luminous bright white day to the upper left section of the piece steadily becomes less and less white until it blends seamlessly with the vibrant greens of the trees leaves. Seurats technique means that such circumstantial dots of white are placed next to dots of green until the relevant effect is actualized (Seurat and Hajo 46).The mix of white and green creates a halo like yellow in parts before it turns fully into green. Seurats techniq